At the moment we're still in pre-production, the script changes every day, new sounds and new ideas are being tested. The other evening the marvellous Harold Spengler, who isn't in the show but was available to lend a hand, pointed out something that could have destroyed the whole evening.
To quote: "How could you not notice this?"
Basically, and I don't want to go into too much detail, Herbert Wells wrote something in the original book that sounds really silly when said out loud. Once you notice how silly it is, the show would be ruined. It is the kind of double entendre that I normally leap on. Hence the italics on you.
Science fiction is heaped with silly words, and there's only so much I or the cast can do to change it, but we are going to massage the problem and hope it goes away. See, a semi entendre there.
This week I promised my cast the draft script, but the cast has just increased in size, so they're going to have to wait until tomorrow. This is sort of annoying - far everyone else rather than me - but more people in a cast is the kind of problem I can live with. It means I can now do some really clever bits of action and make the whole thing move more fluidly. Huzzah!
More rehearsal shots and maybe some video will be coming soon - but for the moment above there are some of the ideas for the set. Tomorrow I'm meeting to discuss what it'll actually look like - so more on that soon!
And you'll find out more about the show if you watch it - by booking your tickets now.
Quay Productions Presents...
The Time Machine
By H.G. Wells
Adapted and Directed by Robert Crighton
Far in the future, the human race has become something different – a peaceful species, who live in simple harmony with the planet. But beneath the surface there is a terrifying secret – one that is uncovered by a traveller from the distant past. Before there was Doctor Who, there was the Time Machine – this is a brand new adaptation of the first true science fiction story, where the past and the future meet with dramatic results.